PROTOTYPE's Beth Morrison speaks to Associated Press about the festival's experimental virtual season.

Opera News features Lawrence Brownlee on the cover of its December 2020 issue, highlighting his virtuosity and outspoken advocacy for racial justice.

Paola Prestini speaks with the Financial Times about the joy of exploring and combining styles ahead of the premiere of her new work Con Alma.

NPR reviews composer Sarah Kirkland Snider's 'Mass for the Endangered,' saying the work is "luminous" and "shines with multi-layered singing of uncommon beauty."

Arts and Culture Texas speaks to ROCO’s artistic director, Alecia Lawyer about the upcoming season.

CBS Sunday Morning speaks to Gustavo Dudamel about his Venezuelan program that stresses music as a way to enhance lives and targets students when they're young.

Joshua Bell speaks to Forbes about how he is spending his time during the pandemic.

The New York Times features J'nai Bridge's panel on race and inequality in opera.

J'Nai Bridges speaks to the NYTimes about her experience post-COVID.

Lara St. John speaks to Strings Magazine about her new album of the Franck and ‘Kreutzer’ sonatas.

The New Yorker features Jeremy Denk's livestream performances of Bach’s “Well-Tempered Clavier.”

The Houston Chronicle speaks to River Oaks Chamber Orchestra’s artistic director, Alecia Lawyer about their streaming performances.

Studio360 interviews Wynton Marsalis about his work as a classical composer.

The Boston Globe reviews Stefan Jackiw, Benjamin Zander, and the Boston Philharmonic Youth Orchestra as they perform the Mendelssohn Concerto.

The New York Times interviews Conrad Tao about becoming a rising star at 25.

J'nai Bridges speaks to The New York Times about preparing herself for her Met debut.

BET speaks to J'nai Bridges about her debut as Nefertiti.

AL DÍA interviews Daniela Mack as she takes the stage as Juno, for the production of “Semele.”

Wynton Marsalis releases his recording of the 2015 Violin Concerto, performed by Nicola Benedetti and the Philadelphia Orchestra, representing Mr. Marsalis’s return to a major classical imprint.

Classic FM reviews Daniela Mack preparing for her performance of Handel’s opera Alcina.

Cleveland Plain-Dealer reviews Gemma New filling in for Bramwell Tovey with the Cleveland Orchestra.

San Francisco Classical Voice interviews Gemma New about her recent debuts.

The Associated Press speaks with Daniela Mack and Andrew Ousley about "Dido and Aeneas," performed in the Green-Wood Cemetery catacombs

The New York Times reviews JACK Quartet's bold performance of the complete quartets of Elliott Carter.

John Holiday speaks to The New Yorker about diversifying the opera world and about his influences.

Lawrence Brownlee speaks to NPR about his song cycle that relates to The Black Lives Matter Movement

The New York Times speaks to Lawrence Brownlee about his song cycle that relates to The Black Lives Matter Movement.

NPR films an intimate video of Lawrence Brownlee and Jason Moran performing a spiritual in a Harlem Crypt, in honor of Black Lives Matter

The Great Big Story interviews John Holiday about his success.

PBS interviews Gemma New about her success as a conductor.